Formalidades del derecho de autor en la era de internet: filtros de protección o facilitadores de licenciamiento
Resumen
El autor se refiere a los objetivos que inspirarían la reinstauración de formalidades de derechos de autor, señalando dos objetivos específicos, el de facilitar la adquisición de derechos de autor y el de mejorar el flujo de información al aumentar el dominio público. Ambos ayudarían a alcanzar el objetivo general de crear certeza legal sobre la autoría, dominio y términos de protección de las obras. Determinados estos objetivos el autor examina de qué forma y qué tipo de formalidades, a la luz de las exigencias del Convenio de Berna, podrían ayudar a alcanzar dichos objetivos. Concluye que actualmente solo podrían ser introducidas formalidades con el propósito de facilitar la adquisición de derechos, salvo que la prohibición de formalidades del Convenio de Berna sea cambiada.Palabras clave:
Convenio de Berna, derechos de autor, dominio público, formalidadesReferencias
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Kuhne, Cecil (2004). «The Steadily Shrinking Public Domain: Inefficiencies of Existing Copyright Law in the Modern Technology Age». Loyola Law Review, 50: 549-562.
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Laddie, Sir Hugh (1997). «Copyright: Over-Strength, Over-Regulated, Over-Rated?». En publicación especial Innovation, Incentive And Reward: Intellectual Property Law And Policy, Hume Papers on Public Policy, 5 (3). Edinburgh: University Press.
Landes, William y Richard Posner (2003a). «Indefinitely Renewable Copyright». University of Chicago Law Review, 70 (2): 471-518. Disponible en <http://chicagounbound.uchicago.edu/cgi/viewcontent.cgi?article=2550&context=journal_articles>.
Landes, William y Richard Posner (2003b). The Economic Structure Of Intellectual Property Law. Cambridge: Harvard University Press.
Lee, Edward (2012) «Copyright, Death, and Taxes». Wake Forest Law Review, 47 (1): 1-43. Disponible en <http://ssrn.com/abstract=1940109>.
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Lessig, Lawrence (2004). Free Culture: How Big Media Uses Technology and the Law to Lock down Culture and Control Creativity. Nueva York: Penguin Press.
Lessig, Lawrence (2008). Remix: Making Art and Commerce Thrive in the Hybrid Economy. Nueva York: Penguin.
Leveque, Francois y Yann Ménière (2004). The Economics of Patents and Copyright. Berkeley Electronic Press. Disponible en <http://ssrn.com/abstract=642622>.
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Nordemann, Wilhelm, Kai Vinck, Paul Hertin y Gerald Meyer (1990). International Copyright And Neighboring Rights Law: Commentary With Special Emphasis On The European Community, Weinheim: Wiley-VCH.
Pallante, Maria (2013a). «The Curious Case of Copyright Formalities». Berkeley Technology Law Journal, 28 (3): 1415-1622.
Pallante, Maria (2013b). «The Next Great Copyright Act». Columbia Journal of Law and the Arts, 36 (3): 315-344. Disponible en <http://copyright.gov/docs/next_great_copyright_act.pdf>.
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