This article addresses the notion of Latin American baroque, linking its aesthetic and interpretive dimension with the cognitive, to develop a located epistemology in Latin America, consistent with its tradition and cultural history. This exercise requires a transdisciplinary effort, therefore this article takes the form of notes, in the context of a broader research program focusing on the contribution of the sociologist Pedro Morandé and writers Pablo Rokha and José Lezama Lima, in a transdisciplinary perspective that assumes theories of knowledge grounded in the identification of Baroque and Latin American appropriations as core of our cultural substrate and therefore epicenter of reflection on identity; developing emerging forms of writing grounded in a metalanguage that appeals to the neo-baroque as a foundation.
Keywords:
neobaroque, sociocultural theory, Latin America, scientific metalanguage, transdiscipline
Alvarado-Borgoño, M. (2016). Notes on the neo-baroque: of theories and metalanguage. Cinta De Moebio. Revista De Epistemología De Ciencias Sociales, (57). Retrieved from https://revistapuntogenero.uchile.cl/index.php/CDM/article/view/44551
